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Year Op. M.S. catalog [1] Title Key Instruments Notes 1795 c. 1: Carmagnola con variazioni (Carmagnola variations) A: Violin / Guitar: 14 Variations on the French Hymn "Carmagnole"
The 24 Caprices for Solo Violin were written in groups (seven, five and twelve) by Niccolò Paganini between 1802 and 1817. They are also designated as M.S. 25 in Maria Rosa Moretti's and Anna Sorrento's Catalogo tematico delle musiche di Niccolò Paganini which was published in 1982.
Although the role of the violin in music drastically changed through this period, progress in violin technique was steady but slow. Much of Paganini's playing (and his violin composition) was influenced by two violinists, Pietro Locatelli (1693–1746) and August Duranowski (Auguste Frédéric Durand) (1770–1834).
Caprice No. 13, nicknamed Devil's Laughter or Devil's Chuckle, [1] is one of Niccolò Paganini's renowned 24 Caprices for Solo Violin. It is the only one of the suite that is in the key of B-flat major. [2] This solo violin piece starts out with scale-like double-stopped passages at a moderate speed.
Concerto in A Major for Violin, French horn and Orchestra (1927) Alexander Tchaikovsky. Concerto for Violin, Viola and orchestra (1988) Anatol Vieru. Concerto for violin, cello, and orchestra (1979) Robert Ward. Dialogues, a Triple Concerto for violin, cello, piano and orchestra (1986–2002) Mark Wessel
Variações sobre a canção "Paganini", for violin solo (from Operetta "Paganini" by Franz Lehár - dedicated to Jascha Heifetz) Franz von Vecsey. Preludio e Fuga in C minor (1914 - dedicated to Jenő Hubay) Giuseppe Verdi "Celeste Aida" (transcription for Violin Solo by Ernst Schliephake, 1993) Henri Vieuxtemps