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Nirmala [a] is a Hindi novel written by Indian writer Munshi Premchand. The melodramatic novel is centered on Nirmala, a young girl who was forced to marry a widower of her father's age. The plot unfolds to reveal her husband's suspicion of a relationship between her and his eldest son, a suspicion that leads to the son's death.
The story appears in Indian textbooks, and its adaptions also appear in moral education books such as The Joy of Living. [5] The story has been adapted into several plays and other performances. Asi-Te-Karave Yied (2008) is a Kashmiri adaption of the story by Shehjar Children's Theatre Group, Srinagar. [6]
This is a list of authors of Hindi literature, i.e. people who write in Hindi language, its dialects and Hindustani language This is a dynamic list and may never be able to satisfy particular standards for completeness.
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
"Lottery" (Hindi: लॉटरी, Urdu: لاٹری) is a Hindustani short story. It was written by Indian author Premchand. [1] The story is told in narrative form from the perspective of an unnamed school teacher. [2]
It was adapted into 2005 Hindi film by the same name, directed by Vishal Bhardwaj, which later won the National Film Award for Best Children's Film. [2] In 2012, the novel was adapted into a comic by Amar Chitra Katha publications, titled, The Blue Umbrella – Stories by Ruskin Bond, and included another story, Angry River. [3]
Nirmal Verma (3 April 1929 – 25 October 2005) was a Hindi writer, novelist, activist and translator. He is credited as being one of the pioneers of the Nai Kahani (New Story) literary movement of Hindi literature, [1] wherein his first collection of stories, Parinde (Birds) is considered its first signature.
The highly metaphorical work is still celebrated for its deeply Vedantic and Sufi incantations and philosophical undertones [1] and is an important work in the Chhayavaad (Neo-romanticism) literary movement of early 20th century Hindi literature. All the rubaaiaa (the plural for rubaai) end in the word madhushala.