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The Ottoman Divan poetry tradition embraced the influence of the Persian and, to a lesser extent, Arabic literatures. As far back as the pre-Ottoman Seljuk period in the late 11th to early 14th centuries CE, this influence was already being felt: the Seljuks conducted their official business in the Persian language, rather than in Turkish, and the poetry of the Seljuk court was highly ...
While his first poems were most probably published before this, Nedîm's more traditional qasidas had become quite well known by the start of Ahmed III's reign in 1703; these had helped him obtain connections with high-ranking officials, such as Nevşehirli Damat Ibrahim Pasha, who would later offer him patronage, as he considered Nedîm's odes to be superior to other poetry written to his name.
Download as PDF; Printable version; ... Arabic-language poets from the Ottoman Empire (9 P) D. Divan poets from the Ottoman Empire (36 P)
Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "Divan poets from the Ottoman Empire" The following 36 pages are in this ...
This is a list of poets who wrote under the auspices of the Ottoman Empire, or — more broadly — who wrote in the tradition of Ottoman Dîvân poetry. Male poets [ edit ]
Ottoman Divan poetry was a highly ritualized and symbolic art form. From the Persian poetry that largely inspired it, it inherited a wealth of symbols whose meanings and interrelationships—both of similitude (مراعات نظير mura'ât-i nazîr / تناسب tenâsüb ) and opposition (تضاد tezâd )—were more or less prescribed.
A Mughal scribe and Daulat, his illustrator, from a manuscript of the Khamsa of Nizami, one of the most famous Persian diwan collections. In Islamic cultures of the Middle East, North Africa, Sicily [1] and South Asia, a Diwan (Persian: دیوان, divân, Arabic: ديوان, dīwān) is a collection of poems by one author, usually excluding his or her long poems ().
Bâkî lived during the height of the Ottoman Empire, and this affected his poetry greatly. Love, the joy of living, and nature are the primary subjects of his poems. Although almost no Sufi influence is found in his poetry—as it is in many other Ottoman-era poets—his concept of love as revealed in his poetry was not entirely divorced from the Sufi concept t