Search results
Results From The WOW.Com Content Network
Mimesis criticism is a method of interpreting texts in relation to their literary or cultural models. Mimesis, or imitation ( imitatio ), was a widely used rhetorical tool in antiquity up until the 18th century's romantic emphasis on originality.
Erich Auerbach (9 November 1892 – 13 October 1957) was a German philologist and comparative scholar and critic of literature.His best-known work is Mimesis: The Representation of Reality in Western Literature, a history of representation in Western literature from ancient to modern times frequently cited as a classic in the study of realism in literature. [1]
Mimesis gives an account of the way in which everyday life in its seriousness has been represented by many Western writers, from ancient Greek and Roman writers such as Petronius and Tacitus, early Christian writers such as Augustine, Medieval writers such as Chretien de Troyes, Dante, and Boccaccio, Renaissance writers such as Montaigne, Rabelais, Shakespeare and Cervantes, seventeenth ...
Mimesis (/ m ɪ ˈ m iː s ɪ s, m aɪ-/; [1] Ancient Greek: μίμησις, mīmēsis) is a term used in literary criticism and philosophy that carries a wide range of meanings, including imitatio, imitation, nonsensuous [clarification needed] similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self.
The mimetic theory of desire, an explanation of human behavior and culture, originated with the French historian, literary critic, and philosopher of social science René Girard (1923–2015). The name of the theory derives from the philosophical concept mimesis , which carries a wide range of meanings.
René Girard: Violence and Mimesis. Cambridge: Polity. ISBN 0-7456-2948-2. This is an introduction to René Girard 's work. Guggenberger, Wilhelm and Palaver, Wolfgang (Eds., 2013). René Girard’s Mimetic Theory and its Contribution to the Study of Religion and Violence, Special issue of the Journal of Religion and Violence, (Volume 1, Issue ...
Dionysius' three volume work On mimesis (On imitation), which was the most influential for Latin authors, is lost. [1] Most of it contained advice on how to identify the most suitable writers to imitate and the best way to imitate them. [1] [2] For Dionysian imitatio, the object of imitation was not a single author but the qualities of many. [2]
The phrase may be considered synonymous with anti-mimesis, the direct opposite of Aristotelian mimesis: art imitating real life. The idea's most notable proponent is Oscar Wilde , who opined in an 1889 essay that, "Life imitates Art far more than Art imitates Life".