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Sometimes a shadow can be used to create a visual effect. Areas of the blue screen or green screen with a shadow on them can be replaced with a darker version of the desired background video image, making it look like the person is casting a shadow on them. Any spill of the chroma key colour will make the result look unnatural.
First movie shot completely on a green screen using digitally scanned images as backgrounds. Olocoons: First CGI-animated series to use Cel-shaded designs and backgrounds mixed with 2-D elements. Shrek 2: First feature film to use global illumination. [45] Sky Captain and the World of Tomorrow: First movie with all-CGI backgrounds and live ...
In television studios, blue or green screens may back news-readers to allow the compositing of stories behind them, before being switched to full-screen display.In other cases, presenters may be completely within compositing backgrounds that are replaced with entire "virtual sets" executed in computer graphics programs.
The show featured various animation styles for the green screen including hand-drawn animation, CGI, stop-motion and even puppeteering. Among the more well known animators included Eric Goldberg, Bill Plympton and Rob Schrab. Many of the stop-motion animators would go on to work on the show Robot Chicken.
When the animated object is more general than, for example, a humanoid character, the set of "bones" may not be hierarchical or interconnected but simply represent a higher-level description of the motion of the part of the mesh it is influencing. Green-screen compositing is demonstrated by actor Iman Crosson in a self-produced video.
While blue- and green-screen techniques have made the process of layering subjects in scenes easier, rotoscoping still plays a large role in the production of visual effects imagery. Rotoscoping in the digital domain is often aided by motion-tracking and onion-skinning software.