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Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
Poetic realism films are "recreated realism", stylised and studio-bound, rather than approaching the "socio-realism of the documentary". [2] They usually have a fatalistic view of life with their characters living on the margins of society, either as unemployed members of the working class or as criminals.
The neo-noir subgenre refers to crime dramas and mysteries produced from the mid-1960s to the present that, while they are generally shot in color and do not always emulate the visual style of classic film noir, often borrow the themes, archetypes, and plots made famous by the film noir genre.
Pulp noir is a subgenre influenced by various "noir" genres, as well as (as implied by its name) pulp fiction genres; particularly the hard-boiled genres which help give rise to film noir. [1] Pulp noir is marked by its use of classic noir techniques, but with urban influences. Various media include film, illustrations, photographs and videogames.
The following is a list of films belonging to the neo-noir genre. Following a common convention of associating the 1940s and 1950s with film noir , the list takes 1960 to date the beginning of the genre.
Horror noir (sometimes referred to as noir horror or hyphenated as horror-noir; lit. ' black horror ' ) is a film subgenre that blends elements of both horror and noir . It combines the dark, atmospheric qualities of noir with the suspense and fear typical of horror, creating a hybrid genre that integrates aspects of both.
American eccentric cinema is a mode of contemporary American filmmaking that emerged in what has been termed the metamodern or new sincerity.Its attachment to indie cinema has led some to consider it a movement and genre of cinema in the United States.
Surrealist cinema is a modernist approach to film theory, criticism, and production, with origins in Paris in the 1920s. The Surrealist movement used shocking, irrational, or absurd imagery and Freudian dream symbolism to challenge the traditional function of art to represent reality.