Search results
Results From The WOW.Com Content Network
In smaller choirs with fewer men, SAB, or soprano, alto, and baritone arrangements allow the few men to share the role of both the tenor and bass in a single part and altos may also sing the tenor part. Male choir (or choir of men & boys) with the same SATB voicing as a mixed choir, but with boys singing the upper part (often called trebles or ...
To sing vocal harmony in a pop or rock context, backup singers need to be able to adjust the pitch of their notes so that they are in tune with the pitch of the lead vocalist and the band's instruments. As well, the rhythm of the backup harmony parts has to be in time with the lead singer and the rhythm section. While some bands use relatively ...
Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
It is part of the Vintage Pack, a DLC pack that focuses on classic rides and theming. In a 2019 GEICO television commercial, a barbershop quartet sings while playing a four-on-four basketball game. [27] The quartet in the ad is #TheAccidentals. [28] The Ben Show (2013) has a recurring sketch in which a barbershop quartet sings the titles of ...
In choral musical notation, TTBB denotes a four-part lower-voice choir. Composed of tenors and basses, Its configuration is Tenor 1, Tenor 2 (or lead), Bass 1 (or Baritone), and Bass 2. Typically (but not always) one of the Tenor parts is the melody, with the other parts as harmony(s).
The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir" of Bach's Wachet auf, ruft uns die Stimme, BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. [5] "
Its origins are varied, including 4-part hymn singing, shape note singing, barbershop quartets, jubilee songs, spirituals, and other Gospel songs. Gospel quartets sing in four-part harmony , with parts given to a tenor , or highest part; lead, which usually takes the melody ; baritone , which blends the sounds and adds richness; and the bass ...
By the end of the century a four-part setting for SATB voices had become the standard for the choral settings, while the congregational singing of chorales was tending towards monody with an instrumental accompaniment. The prolific creation of new Lutheran chorale tunes ended around that time.