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Thornton's recording of "Hound Dog" is credited with "helping to spur the evolution of black R&B into rock music". [9] Brandeis University professor Stephen J. Whitfield, in his 2001 book In Search of American Jewish Culture, regards "Hound Dog" as a marker of "the success of race-mixing in music a year before the desegregation of public schools was mandated" in Brown v.
The song, which interpolates Big Mama Thornton’s 1952 foundational rock and roll song “Hound Dog,” was the first taste of Elvis Original Motion Picture Soundtrack, which also features songs ...
The song's lyrics refer to a man who was an "underwhelming lover" [3] whom Doja Cat feels "never deserved her attention". [4] Produced by Rogét Chahayed and Yeti Beats, it samples Shonka Dukureh's recording of the song "Hound Dog", which was written by Jerry Leiber and Mike Stoller, first recorded by Big Mama Thornton (who Dukureh plays in the film) in 1952 and notably covered by Presley.
Willie Mae "Big Mama" Thornton (December 11, 1926 – July 25, 1984), [1] was an American singer and songwriter of blues and R&B.. The Encyclopedia of Pop, Rock and Soul described Thornton, saying: "Her booming voice, sometimes 200-pound frame, and exuberant stage manner had audiences stomping their feet and shouting encouragement in R&B theaters from coast to coast from the early 1950s on".
Willie Mae "Big Mama" Thornton's Rock & Roll Hall of Fame induction occurs as Black female artists in Music City are growing in influence.
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It should only contain pages that are Big Mama Thornton songs or lists of Big Mama Thornton songs, as well as subcategories containing those things (themselves set categories). Topics about Big Mama Thornton songs in general should be placed in relevant topic categories .
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