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At the 40th American Music Awards, in November 2012, Hammer danced to "2 Legit 2 Quit" and "Gangnam Style" alongside Psy, both wearing his signature Hammer pants. [ 15 ] [ 16 ] The mashup , suggested by Psy's manager, [ 17 ] was repeated by the two stars on December 31, 2012 during Dick Clark's New Year's Rockin' Eve and was released on iTunes .
At the 40th American Music Awards in November 2012, Hammer danced to a mashup of "Gangnam Style" and "2 Legit 2 Quit" along with South Korean pop star Psy, both wearing his signature Hammer pants. [ 340 ] [ 341 ] The collaboration was released on iTunes . [ 342 ]
September 1991: The video for "Pray" was nominated for a MTV Video Music Award for Best Choreography and "Here Comes The Hammer" was nominated for Best Special Effects. November 1991: Hit the Top 40 with "2 Legit 2 Quit". December 1991: Hit the Top 10 with "2 Legit 2 Quit". Hit the Top 40 with "Addams Groove".
The marketing campaign for Too Legit To Quit was the largest in the history of Capitol Records at the time, including a $1 million of prerelease TV ad campaign, the music video for "2 Legit 2 Quit", that remains one of the most expensive ever made with cameos by James Brown and several sports figures, including the Oakland A's' Jose Canseco and the Detroit Pistons' Isaiah Thomas.
The video begins with Jevin busting a move to MC Hammer’s “2 Legit 2 Quit.” Not only does Jevin know the choreography, he’s also dressed as the ‘90s rapper in a pair of parachute pants ...
"Addams Groove" is a single performed by hip-hop artist Hammer that was released as the theme song to the 1991 film The Addams Family. It was the second single from his 1991 album, Too Legit to Quit, included in the track list for the cassette version of the album but not the CD.
AllMusic writer Ron Wynn said about the album overall: "Hammer's sound was leaner, his rapping tougher and more fluid, and his subject matter harder and less humorous." [6] Dennis Hunt of the Los Angeles Times felt that Hammer had "zero feel" for his choice in subgenre, but praised the record's "smashing beats" and highlighted "Don't Stop" for being "unbelievably funky". [7]
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