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All Japanese ghosts are called yūrei, and there are several types within this classification. However, a given ghost may be described by more than one of the following terms, as the following terms are used differently depending on which elements of a ghost's characteristics are focused on:
Miyuki Miyabe (宮部みゆき, Miyabe Miyuki, born December 23, 1960) is a Japanese writer of genre fiction.She has won numerous Japanese literary awards, including the Yoshikawa Eiji Prize for New Writers, the Yoshikawa Eiji Prize for Literature, the Shiba Ryotaro Prize, the Yamamoto Shūgorō Prize, and the Naoki Prize.
Kasa-obake (Japanese: 傘おばけ) [2] [3] are a mythical ghost or yōkai in Japanese folklore. They are sometimes, but not always, considered a tsukumogami that old umbrellas turn into. They are also called " karakasa-obake " ( から傘おばけ ) , [ 2 ] [ 4 ] " kasa-bake " ( 傘化け ) , [ 5 ] and " karakasa kozō " ( 唐傘小僧 ) .
One Hundred Ghost Stories (Japanese: 百物語, romanized: Hyaku monogatari) is a series of ukiyo-e woodblock prints made by Katsushika Hokusai (1760–1849) in the Yūrei-zu genre circa 1830. He created this series around the same time he was creating his most famous works, the Thirty-six Views of Mount Fuji series.
Ugetsu Monogatari is one of the best-known and most highly regarded kaidan-shu, collections of supernatural or ghost stories that became popular in Japan during the Edo period. [5] It utilizes elements from all three primary types of kaidan : adaptations of Chinese stories, Buddhist ghost stories, and Japanese folk-tales.
For many people, the word “ghost” conjures up one of two images: A menacing apparition that terrorizes unsuspecting homeowners, or a cute trick-or-treater covered in a white bed sheet.
Kaidan entered the vernacular during the Edo period, when a parlour game called Hyakumonogatari Kaidankai became popular. This game led to a demand for ghost stories and folktales to be gathered from all parts of Japan and China.The popularity of the game, as well as the acquisition of a printing press, led to the creation of a literary genre called kaidanshu.
In Yotsuya, Edo, there lived a man named Ojima Yakiemon (小嶋弥喜右衛門), and headed towards the estate of the samurai family Asanuno for business, and when he waited in the room, a kozō about ten years of age appeared, and rolled up and rolled down the hanging scroll in the tokonoma over and over. When Yakiemon warned him about playing ...