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Pride and Joy: Children's Portraits in the Netherlands, 1500–1700 (Dutch: Kinderen op hun mooist: het kinderportret in de Nederlanden 1500-1700), was an exhibition held jointly by the Frans Hals Museum in Haarlem and the Royal Museum of Fine Arts, Antwerp, over several months in 2000–2001. [1]
De Vos' portraits are able to communicate a relaxed and warm human affection. In his depiction of children he was a master at expressing their assertive personalities and playful energy. This earned him the recognition of patrons commissioned numerous portraits of children or family portraits featuring children. [2] Magdalena and Jan-Baptist de ...
Portrait painting thrived in the Netherlands in the 17th century, as there was a large mercantile class who were far more ready to commission portraits than their equivalents in other countries; a summary of various estimates of total production arrives at between 750,000 and 1,100,000 portraits. [29]
For example, a Dutch critic stated that Kerstens turned his portrait Bag into a modern masterpiece in a similar way Frans Hals (1582-1666) did before him. [3] Other art historians compared the photograph of Paula with a red turban ( Red Turban ) on her head with the portraits of Jan van Eyck (c. 1390-1441). [ 4 ]
#54 Portrait Of Two Children And The Family Maid, Ca. 1900. ... #58 Autochrome Photo By Dutch Artist Johannes Hendrikus Antonius Maria Lutz (Around 1910). ... #78 Photo Titled The Darned Club, Of ...
A painting by titled "Portrait of Girl" by Dutch painter Rembrandt Harmenszoon van Rijn sold for $1.4 at the Thomaston Place Auction Galleries in Thomaston, Maine on August 24, 2024.
Portrait of Helen van der Schalcke or Helena van der Schalcke as a Child is an oil-on-panel painting by Dutch artist Gerard ter Borch, created c. 1648. The painting is held at the Rijksmuseum, in Amsterdam. [1]
Portrait painting thrived in the Netherlands in the seventeenth century. Many portraits were commissioned by wealthy individuals. Group portraits similarly were often ordered by prominent members of a city's civilian guard, by boards of trustees and regents, and the likes. Often, group portraits were paid for by each portrayed person individually.