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The market for wood type was apparently limited and most businesses had side-lines as dealers in other printers' equipment, or making other wooden goods. [57] One of the larger firms until the 1880s was the company of William H. Page, near Norwich, Connecticut. Wood type competed with lithography and stencils in the market for display typography.
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later on paper.
Woodblock printing had been known in China for centuries. It was innovations in type casting that made for Gutenberg's breakthrough of commercially printing. [1] Although using matrices was a technique known well before his time, Johannes Gutenberg adapted their use to a conveniently adjustable hand mould, enabling one to easily and accurately cast identical multiple instances of any character.
He made more than 30,000 wooden movable types and printed 100 copies of Records of Jingde County (《旌德縣志》), a book of more than 60,000 Chinese characters. Soon afterwards, he summarized his invention in his book A method of making moveable wooden types for printing books. Although the wooden type was more durable under the mechanical ...
The compositor takes the pieces of type from the boxes (compartments) of the type case and places them in the composing stick, working from left to right and placing the letters upside-down with the nick to the top. Early composing sticks were made of wood, but later iron, brass, steel, aluminium, pewter and other metals were used.
Sample page from Wm. H. Page and Co., Specimens of Wood Type Borders, Rules, &c. Page was a prolific designer of typefaces, all of them typical of the heavily ornamented style of the mid-nineteenth century. The following types were designed by Page: [2] Aetna (1870). Antique#7 (1870) Antique Tuscan Outline (1859).
Relief carving can be described as "carving pictures in wood". The process of relief carving involves removing wood from a flat wood panel in such a way that an object appears to rise out of the wood. Relief carving begins with a design idea, usually put to paper in the form of a master pattern which is then transferred to the wood surface.
Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns in the later 19th century. Tulip and Willow by William Morris, 1873. Woodblock printing on textiles is the process of printing patterns on fabrics, typically linen, cotton, or silk, by means of carved wooden blocks.