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The Year 1812, Solemn Overture, Op. 49, popularly known as the 1812 Overture, [1] is a concert overture in E ♭ major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky. The piece commemorates Russia 's successful defense against the French invasion of the nation in 1812.
The overture finishes with a virtuoso coda for the full orchestra. The piece is frequently paired in performance with Tchaikovsky's " 1812 Overture ," which also quotes "God Save the Tsar." In Russia, during the Soviet era , the imperial anthem was replaced in both pieces with the chorus " Glory, Glory to you, holy Rus'!
Pyotr Ilyich Tchaikovsky wrote many works well-known to the general classical public, including Romeo and Juliet, the 1812 Overture, and the ballets Swan Lake, The Sleeping Beauty and The Nutcracker. These, along with two of his four concertos , three of his symphonies and two of his ten operas, are among his most familiar works.
Telarc is noted for the high quality of its recordings, encapsulated in the slogan "The Telarc Sound". [2] Its 1979 high-definition digital recording of Tchaikovsky's 1812 Overture (the first ever) became a popular way for people to test the quality of their record-playing equipment and audio setups, as only high-quality and properly-tuned systems could play the hifi digital cannon shots properly.
The 1812 overture complete with cannon fire was performed at the 2005 Classical Spectacular Among the other works, Capriccio Italien is a travelogue of the composer's time there during his years of wandering and a conscious emulation of the Mediterranean episodes in Glinka's Spanish Overtures. [ 49 ]
Tchaikovsky: 1812, album of famous works by Tchaikovsky including 1812 Overture, 2001; The Ultimate Movie Music Collection, 4-disc album of film music selections re-released from the orchestra's previous recordings, 2005; Super Heroes!, collection of themes from superhero movies, 2013
The rendition of the 1812 Overture led by a jacketless and demonstrative Fiedler, capped by a huge fireworks finale over the Charles River was the climax of all day long network television coverage. The video of the aged but obviously delighted Fiedler puffing out his cheeks to the beat of the music and mugging for his musicians was one of the ...
For the overture, he used the earlier stand-alone Hamlet overture-fantasia Op. 67, but in a shortened form. In the 16 other numbers, as well as writing some new music, he also used material from the incidental music to The Snow Maiden , Op. 12 (1873), from the alla tedesca movement of the Third Symphony (1875), and from the Elegy for Ivan ...