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The song was arranged and produced by Take 6 alumnus Mervyn Warren, and conducted by Quincy Jones. [1] Handel's Messiah: A Soulful Celebration won the Grammy Award for Best Contemporary Soul Gospel Album in 1992, as well as a Dove Award for Contemporary Gospel Album of the Year. [2] The vocalists performing on "Hallelujah!"
Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende ...
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
Glory, Hallelujah: Civil War Songs and Hymns, Stoughton: PineTree Press, 2012. Jackson, Popular Songs of Nineteenth-Century America, note on "Battle Hymn of the Republic", pp. 263–64. McWhirter, Christian. Battle Hymns: The Power and Popularity of Music in the Civil War. Chapel Hill, NC: University of North Carolina Press, 2012. ISBN 1469613670.
Whether known as hallelujah, alleluia or alleluya, an ancient Hebrew word plays a big role in music, faith and culture. Hallelujah! The remarkable story behind this joyful word
The cantor then repeats the opening Alleluia, and the choir repeats only the jubilus. The music is generally ornate, but often within a narrow range. The Alleluia for Christmas Eve, for instance, has an ambitus of only a perfect fifth, a rather extreme example. Alleluias were frequently troped, both with added music and text. It is believed ...
"John Brown's Body" (Roud 771), originally known as "John Brown's Song", is a United States marching song about the abolitionist John Brown. The song was popular in the Union during the American Civil War. The song arose out of the folk hymn tradition of the American camp meeting movement of the late 18th and early 19th century. According to an ...
The line "for the Lord God omnipotent reigneth" is sung by all voices, first in unison, then in imitation with Hallelujah-exclamations interspersed. (The melody is based on the fugue theme from Corelli's "Fuga a Quattro Voci ".) The second line "The kingdom of this world is become" is sung in a four-part setting like a chorale.