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The first, titled The Sopranos: Music from the HBO Original Series, was released in 1999, and contains selections from the show's first two seasons. [9] The second, titled The Sopranos: Peppers & Eggs: Music from the HBO Original Series, was released in 2001, and contains two Compact Discs of songs from the show's first three seasons. [10]
Recitative and aria for soprano and orchestra: Giovanni de Gamerra Sismano nel Mogol III,7: April 1781 383 "Nehmt meinen Dank, ihr holden Gönner!" (Score/Crit. report) Aria for soprano and orchestra: unknown: 10 April 1782 416 "Mia speranza adorata! ... Ah, non sai qual pena" (Score/Crit. report) Recitavo and aria (rondo) for soprano and ...
The soprano singing voice is the voice of children and the highest type of female voice with vocal range that typically lies between "middle C" (C 4) and "high C" (C 6) [1] The soprano voice (unlike the mezzo-soprano voice) is stronger in the head register than the chest register, resulting in a bright and ringing tone. [2]
"Seven Songs from The Pilgrim's Progress" for voice and piano (1952) "The 23rd Psalm" for soprano and chorus, arranged by John Churchill (1953) Pilgrim's Journey, Cantata for soprano, tenor, baritone, chorus and orchestra adapted from The Pilgrim's Progress by Christopher Morris and Roy Douglas (1962)
Mozart's sacred music is mainly vocal, though also instrumental examples exist, like the seventeen Sonate da chiesa, composed between 1772 and 1780. His sacred music presents a rich stylistic mosaic: Gregorian choral elements meet rigorous counterpoint, and even operatic elements can sometimes emerge. Stylistic unity and consistency is present ...
Sissel's musical style runs the gamut from pop recordings and traditional folk songs, to classical vocals and operatic arias. She possesses a "crystalline" voice [2] and wide vocal range, sweeping down from mezzo-soprano notes, in arias such as Mon cœur s'ouvre à ta voix from Saint-Saëns's opera Samson et Dalila, to the F natural above ...
Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures .
I Hate Music: A cycle of Five Kid Songs for Soprano and Piano (1943) Big Stuff, sung by Billie Holiday (1944) Afterthought, study for the ballet "Facsimile" for Soprano and Piano or Orchestra (1945) La Bonne Cuisine: Four Recipes for Voice and Piano (1947) Two Love Songs on Poems by Rainer Maria Rilke for Voice and Piano (1949)