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  2. Get to know the instruments behind música Mexicana - AOL

    www.aol.com/news/know-instruments-behind-m-sica...

    From the guitarron and the requinto to the guiro and the tololoche, these are some of the instruments responsible for música Mexicana's distinct qualities.

  3. Norteño (music) - Wikipedia

    en.wikipedia.org/wiki/Norteño_(music)

    Norteño or Norteña (Spanish pronunciation: [noɾˈteɲo], northern), also música norteña, is a subgenre of regional Mexican music. The music is most often based on duple and triple metre and its lyrics often deal with socially relevant topics, although there are also many norteño love songs.

  4. Bajo sexto - Wikipedia

    en.wikipedia.org/wiki/Bajo_sexto

    The bajo sexto (Spanish: "sixth bass") is a Mexican string instrument from the guitar family with 12 strings in six double courses. It is played in a similar manner to the guitar, with the left hand changing the pitch with the frets on a fingerboard while the right hand plucks or strums the strings with or without a pick. Its original design ...

  5. Mexican twelve-string guitar - Wikipedia

    en.wikipedia.org/wiki/Mexican_twelve-string_guitar

    The Mexican twelve-string guitar, also known as a requinto-style or Sierreño-style guitar, is a modified twelve-string guitar. It can approximate the sound of a bajo sexto or bajo quinto and play regional Mexican styles, such as norteño, Tejano (Tex-Mex), and conjunto (música mexicana-tejana). In a traditional 12-string setup, the lower four ...

  6. Conjunto - Wikipedia

    en.wikipedia.org/wiki/Conjunto

    Mexican conjunto music, also known as conjunto tejano, was born in south Texas at the end of the 19th century, after German settlers introduced the button accordion.The bajo sexto has come to accompany the button accordion and is integral to the conjunto sound.

  7. Tejano music - Wikipedia

    en.wikipedia.org/wiki/Tejano_music

    Norteño/conjunto accordion pioneer Narciso Martínez, known as the "Father of Conjunto Music", defined the accordion's role in conjunto music. He learned many tunes from German, Polish and Czech brass bands and transposed them to accordion. [7] Martínez gave accordion playing a new virtuosity in the 1930s, when he adopted the two button row ...