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Sonnet 73, one of the most famous of William Shakespeare's 154 sonnets, focuses on the theme of old age. The sonnet addresses the Fair Youth. Each of the three quatrains contains a metaphor: Autumn, the passing of a day, and the dying out of a fire. Each metaphor proposes a way the young man may see the poet. [2]
The sonnet was a popular form of poetry during the Romantic period: William Wordsworth wrote 523, John Keats 67, Samuel Taylor Coleridge 48, and Percy Bysshe Shelley 18. [1] But in the opinion of Lord Byron sonnets were “the most puling, petrifying, stupidly platonic compositions”, [ 2 ] at least as a vehicle for love poetry, and he wrote ...
He also introduced variations in the proportions of the sonnet, from the 10 1 ⁄ 2 lines of the curtal sonnet "Pied Beauty" to the amplified 24-line caudate sonnet "That Nature is a Heraclitean Fire". Though they were written in the later Victorian era, the poems remained virtually unknown until they were published in 1918.
[4]: 12 Because Italian sonnets require many more rhymes on the same word ending, the Shakespearean sonnet form was considered to be easier than Petrarchan or Miltonic sonnets, and therefore less legitimate. [4]: 12 William Beckford parodied the perceived easiness of Smith's sonnets with a poem called "Elegiac Sonnet to a Mopstick."
It was also the last large use of sonnet form for several decades, in published work, until the appearance of Philip Sidney's sonnet sequence Astrophel and Stella (1591) and the anthology The Phoenix Nest (1593). [4] Most of the poems included in the anthology were written in the 1530s but were only published in the first edition in 1557.
Love Is Not All: It Is Not Meat nor Drink is a 1931 poem by Edna St. Vincent Millay, written during the Great Depression. [1]The poem was included in her collection Fatal Interview, a sequence of 52 sonnets, appearing alongside other sonnets such as "I dreamed I moved among the Elysian fields," and "Love me no more, now let the god depart," rejoicing in romantic language and vulnerability. [2]
The poem was created as part of a friendly competition in which Shelley and fellow poet Horace Smith each created a poem on the subject of Egyptian pharaoh Ramesses II under the title of Ozymandias, the Greek name for the pharaoh. Shelley's poem explores the ravages of time and the oblivion to which the legacies of even the greatest are subject.
Sonnet 7 is Pamphilia's expression of her own thoughts, emotions and views. The seventh sonnet, from the only extant Pamphilia manuscript in Wroth's own hand. [7] The power of the patriarchal society on her views is evident. The influence is exemplified in line 6, "I am thy subject, conquered, bound to stand".