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Menlo is a monospaced sans-serif typeface designed by Jim Lyles and Charles Bigelow [citation needed].The typeface was first shipped with Mac OS X Snow Leopard in August 2009.
Peignot (pronounced Pen-yoe) is a sans-serif display typeface, designed by the poster artist A. M. Cassandre in 1937. [1] It was commissioned by the French type foundry Deberny & Peignot.
The Guinness World Records used Rockwell in some of its early-1990s editions. Informational signage at Expo 86 made extensive use of the Rockwell typeface. [9] Docklands Light Railway used a bold weight of this typeface in the late 1980s and early 1990s.
Montserrat is a geometric sans-serif typeface designed by Argentine graphic designer Julieta Ulanovsky and released in 2011. It was inspired by posters, signs and painted windows from the first half of the twentieth century, seen in the historic Montserrat neighbourhood of Buenos Aires.
Minion is a very large family of fonts, including Greek, Armenian and Cyrillic alphabets, optical sizes, condensed styles and stylistic alternates such as swash capitals. [14] As a standard font in many of Adobe's programs, it is one of the most popular serif typefaces used in books.
Goudy Old Style (also known as just Goudy) is an old-style serif typeface originally created by Frederic W. Goudy for American Type Founders (ATF) in 1915.. Suitable for text and display applications, Goudy Old Style matches the historicist trend of American printing in the early twentieth century, taking inspiration from the printing of the Italian Renaissance without a specific historical model.
The font has also been used on the cornerstone of the One World Trade Center in New York. It is also the current font used in MPA title cards for film trailers in the U.S. Developed for professional use, Gotham is an extremely large family, featuring four widths, eight weights, and separate designs for screen display and a rounded version.
A humanist sans-serif font family, somewhat similar to Syntax (1968) and Frutiger (1976). It included fonts in 8 weights and 2 widths, with complementary italic fonts. A distinctive figure is the 'Q' with the detached tail, somewhat similar to that on Dwiggins' Metro; an alternate is provided for when this is unsuitable.