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The Form of Preaching can be divided into three sections. The first section deals with Basevorn's introductory remarks. This include his intentions for writing the text as a teaching manual. Basevorn considers preaching an art, so there are aesthetic characteristics to preaching in addition to having a wide knowledge of Christianity. The ...
Extemporaneous preaching is a style of preaching involving extensive preparation of all the sermon except for the precise wording. The topic, basic structure and scripture to be used are all determined in advance, and the preachers saturate themselves in the details necessary to present their message so thoroughly that they are able to present ...
The goal of the sermon is a transformative event, often requiring a strategic delay of meaning. In other words, the preacher does not give the congregation the thesis or point at the beginning of the sermon; they are required to follow along as the preacher explores the text and its meaning.
Expository preaching, also known as expositional preaching, is a form of preaching that details the meaning of a particular text or passage of Scripture. It explains what the Bible means by what it says. Exegesis is technical and grammatical exposition, a careful drawing out of the exact meaning of a passage in its original context. While the ...
The sermon's first part must open with nine takbirs, the second part with seven. The sermon may also be pronounced while sitting. The sermon may also be pronounced while sitting. Regarding the sermons delivered during an eclipse or excessive drought, classical texts advise that such sermons must admonish the audience and ask God's forgiveness.
The Swadhyaya Movement or Swadhyaya Parivara started in mid 20th-century in the western states of India, particularly Maharashtra and Gujarat. [1] Founded by Pandurang Shastri Athavale (1920-2003), the movement emphasizes self-study (swadhyaya), selfless devotion and application of Indian scriptures such as the Upanishads and Bhagavad gita for spiritual, social and economic liberation.
Where Prabhupada’s translations expand the text, they do so “for the sake of making the meaning more clear, rather than obscuring it”. [279] Hopkins says, “Writing a commentary is not a merely intellectual or academic exercise—it has a practical goal: to engage people with a living spiritual tradition”. [277]
Vasudeva-hindi is the oldest surviving text of the Jain narrative literature. The Jain monk Sangha-dasa wrote it in archaic Maharashtri Prakrit language. [1] The author claims that the legend of Vasudeva was first told by Mahavira's pupil Sudharman to his disciple Jambu, and since then, the story was transmitted to the author through a series of teachers and disciples.