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Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. [1] The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language."
The Preface to Lyrical Ballads is an essay, composed by William Wordsworth, for the second edition published in 1800 of the poetry collection Lyrical Ballads, and then greatly expanded in the third edition of 1802. It came to be seen as a de facto manifesto of the Romantic movement. [1] Key assertions about poetry include:
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
Literary fiction is a term that distinguishes certain fictional works that possess commonly held qualities to readers outside genre fiction. [citation needed] Literary fiction is any fiction that attempts to engage with one or more truths or questions, hence relevant to a broad scope of humanity as a form of expression.
To be a 'school' a group of poets must share a common style or a common ethos. A commonality of form is not in itself sufficient to define a school; for example, Edward Lear, George du Maurier and Ogden Nash do not form a school simply because they all wrote limericks. There are many different 'schools' of poetry.
An example of this is The Ring and the Book by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the Romance of the Rose or Tennyson's Idylls of the King. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology.
In literature and other artistic media, a mode is an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the satiric mode, the ironic, the comic, the pastoral, and the didactic. [1]
The ghazal was introduced to European poetry in the early 19th century by the Germans Schlegel, Von Hammer-Purgstall, and Goethe, who called Hafiz his "twin". [9] Lyric in European literature of the medieval or Renaissance period means a poem written so that it could be set to music—whether or not it actually was.