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Gentileschi depicts herself in the guise of a Romani musician, denoted by the headscarf and low-cut blouse; this style of entertainers would have appeared at Italian court performances. [5] The headscarf is similar to one Caravaggio painted in The Fortune Teller and Gentileschi's dress aligns with other paintings of Romani people from this time ...
In turn, Gentileschi's painting was the inspiration for Giuseppe Crespi's c. 1700–1705 Woman Playing a Lute. [1] Christiansen & Mann note that Gentileschi returned to Caravaggio's early Giorgionesque work, exemplified by paintings such as the c. 1594–1596 Penitent Magdalene , as guidance for his departure from mainstream Caravaggism that ...
At the height of his popularity in Rome during the late 1590s and early 1600s, Caravaggio's dramatic new style influenced many of his peers in the Roman art world. The first Caravaggisti included Mario Minniti, Giovanni Baglione (although his Caravaggio phase was short-lived), Leonello Spada and Orazio Gentileschi.
Artemisia Lomi or Artemisia Gentileschi (US: / ˌ dʒ ɛ n t i ˈ l ɛ s k i /; [1] [2] Italian: [arteˈmiːzja dʒentiˈleski]; 8 July 1593 – c. 1656) was an Italian Baroque painter. Gentileschi is considered among the most accomplished 17th-century artists, initially working in the style of Caravaggio. She was producing professional work by ...
Among the painters influenced by Caravaggio, apart from the Utrecht Caravaggists, are Orazio Gentileschi, Artemisia Gentileschi, Bartolomeo Manfredi, Georges de la Tour, Rembrandt van Rijn, Jusepe de Ribera and Johann Ulrich Loth. Caravaggio's influences are also evident in paintings by Jan Vermeer, Diego Velázquez and Francisco de Zurbarán.
Vivid tones of color, ranging from Judith's golden dress to the deep crimson curtain, contribute to an elemental component that is unique to Gentileschi's style, unlike Caravaggio. [9] The shadow cast on Judith's face resembles a crescent moon which is a symbol of Artemis, a reoccurring connection the artist made between the female figures. [ 5 ]
Gentileschi was one of many artists who used Judith as a prominent and recurring subject throughout the Baroque period. In fact, Orazio Gentileschi, Artemisia Gentileschi's father, painted Judith and Her Maidservant with the Head of Holofernes c. 1610. Both artists assign the scene with a sense of urgency by choosing moments within the story ...
The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). [1] The work was commissioned by Cardinal Francesco Maria del Monte, who had an avid interest in music. [2]