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David G. Monette (born 1956, Kalamazoo, Michigan) is an American craftsman who designs and builds custom brass instruments and mouthpieces for musicians. [1] [2]Monette's experience as a trumpeter and the influence of acoustician Arthur Benade led Monette to redesign the trumpet mouthpiece with the goal of improving playability and sound quality.
With this rich background and his talent as an accomplished machinist, Mr. Callet was able to release his first line of trumpet mouthpieces in 1973, and his first trumpet under his own brand name in 1984. [2] [3] In 1973, he also developed a line of mouthpieces to complement his embouchure theories. In the meantime, he taught embouchure ...
The mouthpiece on brass instruments is the part of the instrument placed on the player's lips. The mouthpiece is a circular opening that is enclosed by a rim and that leads to the instrument via a semi-spherical or conical cavity called the cup.
The mouthpiece is deeply conical which tapers slightly, as opposed to the trumpet mouthpiece which has an extreme taper to create a bowl shape. The sound of the Flumpet is described as thicker and richer than a flugelhorn and more mellow and rounded than that of a trumpet.
This mouthpiece usually has a deep cup, like that of the flugelhorn, and has a wider inner diameter than a trumpet mouthpiece. These mouthpieces give the mellophone a dark, round sound. Some trumpet players who double on mellophone use a trumpet-style parabolic ("cup") mouthpiece on the instrument, resulting in a much brighter, more trumpet ...
It uses a deep funnel- or cup-shaped mouthpiece. The tenor horn's conical bore and deep mouthpiece produce a mellow, rounded tone that is often used as a middle voice, supporting the melodies of the trumpets, cornets, or flugelhorns, and fills the gap above the lower tenor and bass instruments (the trombone, baritone horn, euphonium, and tuba ...
"Cor solo" (natural horn) – Raoux, Paris, 1797 – Paris, Musée de la Musique (with a double-loop crook located within the body of the horn).. A crook, also sometimes called a shank, is an exchangeable segment of tubing in a natural horn (or other brass instrument, such as a natural trumpet) which is used to change the length of the pipe, altering the fundamental pitch and harmonic series ...
J. S. Bach, for example, calls for a trumpet in B ♭ in his Cantatas Nos. 5 and 90, trumpets in E ♭ in the first version of his Magnificat and, most famously, the solo trumpet in high F in his Brandenburg Concerto No. 2. In the 18th century various attempts were made to overcome the limitations in the notes available to natural trumpets.