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In Greek mythology, Erinoma (/ ɛ r ɪ ˈ n ə m ɑː /) or Erinona (/ ɛ r ɪ ˈ n ə n ɑː /) [a] is a beautiful maiden who attracted the attention of both Zeus and Adonis, as well as the wrath of Hera and Aphrodite.
This is an accepted version of this page This is the latest accepted revision, reviewed on 30 December 2024. Allegorical item from Greek mythology J. M. W. Turner, The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides (c. 1806) The manzana de la discordia (the turret on the left belongs to the Casa Lleó Morera; the building with the stepped triangular peak is ...
In ancient Greek religion and mythology, the twelve Olympians are the major deities of the Greek pantheon, commonly considered to be Zeus, Poseidon, Hera, Demeter, Aphrodite, Athena, Artemis, Apollo, Ares, Hephaestus, Hermes, and either Hestia or Dionysus. [2] They were called Olympians because, according to tradition, they resided on Mount ...
Three guests, Hera, Athena and Aphrodite, after some disputation, agreed to have Paris of Troy choose the fairest one. Paris chose Aphrodite, she having bribed him with the most beautiful mortal woman in the world, Helen of Sparta, wife of Menelaus. Consequently, Paris carried Helen off to Troy, and the Greeks invaded Troy for Helen's return.
The following is a family tree of gods, goddesses, and other divine and semi-divine figures from Ancient Greek mythology and Ancient Greek religion. Chaos The Void
The Greeks created images of their deities for many purposes. A temple would house the statue of a god or goddess, or multiple deities, and might be decorated with relief scenes depicting myths. Divine images were common on coins. Drinking cups and other vessels were painted with scenes from Greek myths.
In Roman mythology, Athena was identified with Minerva, who shared many of the traits and characteristics of her Greek counterpart. [14] In relating the Judgement of Paris for Roman audiences, Ovid varies from the Greek traditions regarding Athena by describing Juno, Minerva, and Venus, stripped naked for the Trojan prince's evaluation. [15]
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.