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Video shot in 1994 with a PXL2000. The PXL2000, or Pixelvision, was a toy black and white video camera, introduced by Fisher-Price in 1987 at the International Toy Fair in Manhattan, which could record sound and images onto Compact Cassette tapes. [1] It was on the market for one year with about 400,000 units produced.
Frame rate (reverse) ... the competition from both high and low end video cameras has decimated the demand for 16 mm cameras for most non-professional usage ...
Camera Sensor size Crop factor [1] Lens Mount [2] Recording media [3] Codec Maximum video resolution ISO range Dynamic range (at native/peak ISO) Shutter type Anamorphic shooting Internal filters Frame rate(s −1) Arri: Alexa [4] Alexa Plus 23.76 x 13.37 mm 1.52 Arri PL: SxS card, T-link recorder (optional XR module upgrade) [5]
If you want to shoot high-end, pro-level images or video, consider purchasing a full-frame mirrorless camera. These are loaded with large, full-frame sensors, which provides a field of view ...
When transferred to NTSC television, the rate is effectively slowed to 23.976 FPS (24×1000÷1001 to be exact), and when transferred to PAL or SECAM it is sped up to 25 FPS. 35 mm movie cameras use a standard exposure rate of 24 FPS, though many cameras offer rates of 23.976 FPS for NTSC television and 25 FPS for PAL/SECAM.
Frame rate up-conversion (FRC) is the process of increasing the temporal resolution of a video sequence by synthesizing one or more intermediate frames between two consecutive frames. A low frame rate causes aliasing, yields abrupt motion artifacts, and degrades the video quality. Consequently, the temporal resolution is an important factor ...