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The baroque guitar (c.1600–1750) was a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course was sometimes a single string. It replaced the Renaissance lute as the most common instrument found in the home.
The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, [2] and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, [3] with perfect fourths surrounding a third in the middle for the first ...
French lute music declined during the second part of the 16th century; however, various changes to the instrument (the increase of diapason strings, new tunings, etc.) prompted an important change in style that led, during the early Baroque, to the celebrated style brisé: broken, arpeggiated textures that influenced Johann Jakob Froberger's ...
Lex Eisenhardt, Italian Guitar Music of the Seventeenth Century, University of Rochester Press, 2015. Lex Eisenhardt, "Bourdons as Usual". In The Lute: The Journal of the Lute Society, vol. XLVII (2007) Lex Eisenhardt, "Baroque guitar accompaniment: where is the bass". In Early Music, vol. 42, No 1 (2014) Lex Eisenhardt, "A String of Confusion"
As with the lute, the player plucks or strums the strings with the right hand while "fretting" (pressing down) the strings with the left hand. The theorbo is related to the liuto attiorbato , the French théorbe des pièces , the archlute , the German baroque lute, and the angélique (or angelica ).
The composition is written on the next two pages, on systems of two staffs, with a soprano clef for the upper staff, and a bass clef for the lower staff. Although, in the first half of the 18th century, a tablature notation was common for lute compositions, Kellner thus wrote the Prelude down in a notation which at the time was customary for keyboard compositions. [10]