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He particularly specializes in world cinema, film theory and aesthetics, and French cinema. He has also written on Japanese cinema , especially the work of Kenji Mizoguchi . He has been awarded a Guggenheim Fellowship [ 4 ] and was named a Commandeur in the Ordre des Arts et des Lettres by the French Ministry of Culture, its highest distinction.
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]
Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "Film music compositions" The following 26 pages are in this category, out ...
Film analysis is the process by which a film is analyzed in terms of mise-en-scène, cinematography, sound, and editing. One way of analyzing films is by shot-by-shot analysis, though that is typically used only for small clips or scenes. Film analysis is closely connected to film theory. Authors suggest various approaches to film analysis.
A character in the film is perceived and perceives – and then will act. However, there is an interval between perception and action: affects. Bodies are affected by the world, and then act upon the world. There will be thus be types of shots which take affects as their subject matter. The most familiar type of affective shot is of the face.
He goes on to say that because movie-goers are not distracted by outside light, noise, etc., due to the nature of a movie theater, they are able to experience the film as if it were reality and they were experiencing the events themselves. Apparatus theory also argues that cinema maintains the dominant ideology of the culture within the viewer.
Film theory seeks to develop concise, systematic concepts that apply to the study of film/cinema as art. Subcategories This category has the following 11 subcategories, out of 11 total.