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Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ballads, mini-jazz rock bands, rasin movement, hip hop Creòle, the wildly popular compas, [1] and méringue as its basic rhythm. Haitian music is influenced mostly by European colonial ties and African migration (through slavery).
Compas (French pronunciation:; Haitian Creole: konpa dirèk; [2] French: compas direct), also known as konpa or kompa, is a modern méringue dance music genre of Haiti. [1] The genre was popularized by Nemours Jean-Baptiste following the creation of Ensemble Aux Callebasses in 1955, which became Ensemble Nemours Jean-Baptiste in 1957.
Rasin, also known as Haitian roots music, [2] is a musical style that began in Haiti in the 1970s when musicians began combining elements of traditional Haitian Vodou ceremonial and folkloric music with various musical styles.
Twoubadou (Haitian Creole pronunciation:; French: Troubadour) music is a popular genre of guitar-based music from Haiti that has a long and important place in Haitian culture. The word comes from troubadour, a medieval poet-musician who wrote and sang songs about courtly love. Like the troubadours of old, the Haitian twoubadou is a singer ...
This year, Pierre-Pierre’s Haitian Times and Live Nation are co-producing the Banbôch Kreyol Festival celebrating Haitian music, culture and art on Sunday, May 28 at the Coney Island ...
The drum rhythms typically generate a kase ("break"), which the master drummer will initiate to oppose the main rhythm being played by the rest of the drummers. This is seen as having a destabilizing effect on the dancers and helping to facilitate their possession. [8] The drumming is typically accompanied by singing, [9] usually in Haitian ...
Jou a Rive is the debut album by the Haitian band Boukan Ginen, released in 1995. [3] [4] It was originally released in Haiti in 1993. Most of the lyrics were sung in Creole. [5] "Pale Pale W" had been voted Best Carnival Song at Haitian Carnival. [6] The band supported the album with a North American tour. [7]
In Kitas, the bélé dance had origins in Benin at festivals associated with mating and fertility. A male and female (in Creole, the "Cavalier" and the "Dam") show off their dance skills to the other dancer, hinting at their sexuality in chants led by a "chantuelle" meaning singer, with the refrain or "lavway" given by a chorus of spectators.