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The Wall of Sound was an enormous sound reinforcement system designed in 1973 specifically for the Grateful Dead's live performances. The largest concert sound system built at that time, [1] [2] the Wall of Sound fulfilled lead designer Owsley "Bear" Stanley's desire for a distortion-free sound system that could also serve as its own monitoring ...
Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.
A miked guitar speaker in an isolation cabinet is run into another channel of the mixing console. The DI signal and miked guitar speaker can then be selectively blended, with the DI providing a more immediate, present, bright sound, and the microphone and guitar speaker providing a colored, distant, darker sound.
Audio feedback from microphones occurs when a microphone is too near a monitor or main speaker and the sound reinforcement system amplifies itself. Audio feedback through a microphone is almost universally regarded as a negative phenomenon, many electric guitarists use guitar feedback as part of their performance. This type of feedback is ...
Each system consists of a mixing board, sound processing equipment, amplifiers, and speakers. The microphones that are used to pick up vocals and amplifier sounds are routed through both the main and monitor systems. Audio engineers can set different sound levels for each microphone on the main and monitor systems.
May be rack-mounted, wall-mounted or portable. Wall mount station: Fixed-position intercom station with built-in loudspeaker. May have flush-mounted microphone, hand-held push to talk microphone or telephone-style handset. Belt pack: Portable intercom station worn on the belt such as an interruptible feedback (IFB) with an earpiece worn by talent.