Search results
Results From The WOW.Com Content Network
On review aggregator Rotten Tomatoes, the film holds an approval rating of 81% based on 97 reviews, with an average rating of 7.2/10. The site's critical consensus reads: "While it may feel muddled at times, The Platform is an inventive and captivating dystopian thriller."
A movie with a major independent distributor, like Searchlight or A24 or Neon or Focus, would begin its journey down the runway, bolstered by excited media features and a healthy swell of positive ...
Janet Maslin (The New York Times) Harold McCarthy; Todd McCarthy (Variety, The Hollywood Reporter) Michael Medved (New York Post, Sneak Previews) Nell Minow (rogerebert.com and moviedom.com) Elvis Mitchell (The New York Times, Fort Worth Star-Telegram, Los Angeles Herald Examiner, The Detroit Free Press) Khalid Mohammed (Hindustan Times) Joe ...
The Times ' s longest-running podcast is The Book Review Podcast, [295] debuting as Inside The New York Times Book Review in April 2006. [296] The New York Times ' s defining podcast is The Daily, [294] a daily news podcast hosted by Michael Barbaro and, since March 2022, Sabrina Tavernise. [297] The podcast debuted on February 1, 2017. [298]
[5] [6] On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 96% based on 251 reviews, [7] making it the platform's best-reviewed drama movie of 2024. [8] A Real Pain was named one of the top ten films of 2024 by the National Board of Review and the American Film Institute.
A movie with a major independent distributor, like Searchlight or A24 or […] The Platform Release Has All but Disappeared. Is That Hurting Films Like ‘Spencer’ and ‘Belfast’?
Wesley Morris (born 1975) [2] is an American film critic and podcast host. He is currently critic-at-large for The New York Times, [3] as well as co-host, with J Wortham, of the New York Times podcast Still Processing.
Roger Greenspun (December 16, 1929 – June 18, 2017) was an American journalist and film critic, best known for his work with The New York Times in which he reviewed near 400 films, particularly in the late 1960s and early 1970s, and for Penthouse for which he was the film critic throughout much of the late 1970s and 1980s.