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In some kinds of metre, such as the Greek iambic trimeter, two feet are combined into a larger unit called a metron (pl. metra) or dipody. The foot is a purely metrical unit; there is no inherent relation to a word or phrase as a unit of meaning or syntax, though the interplay between these is an aspect of the poet's skill and artistry.
In English poetry, feet are determined by emphasis rather than length, with stressed and unstressed syllables serving the same function as long and short syllables in classical metre. The basic unit in Greek and Latin prosody is a mora, which is defined as a single short syllable. A long syllable is equivalent to two morae.
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The Ego-Futurists were another poetry school within Russian Futurism during the 1910s, based on a personality cult. [53] [56] Most prominent figures among them are Igor Severyanin and Vasilisk Gnedov. The Acmeists were a Russian modernist poetic school, which emerged ca. 1911 and to symbols preferred direct expression through exact images.
A metrical foot (aka poetic foot) is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry.. In some metres (such as the iambic trimeter) the lines are divided into double feet, called metra (singular: metron).
Speculative poetry, also known as fantastic poetry (of which weird or macabre poetry is a major sub-classification), is a poetic genre which deals thematically with subjects which are "beyond reality", whether via extrapolation as in science fiction or via weird and horrific themes as in horror fiction. Such poetry appears regularly in modern ...
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