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Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style). The Baroque period is divided ...
Performance on period instruments is a key aspect of HIP, such as this baroque orchestra (Photo: Josetxu Obregón and the Spanish ensemble La Ritirata, 2013).. Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music which aims to be faithful to the approach, manner and style of the musical ...
Some would have played a "full-voiced" (thicker) style, for example (Exs. 8, 11) [86] [87] or an embellished style (Ex. 10). [88] No real Baroque-era musician could have managed the diversity of styles and idioms that flourished in different lands and at different times in the period, [26] concerning which specific knowledge is patchy. [89]
An early music ensemble is a musical ensemble that specializes in performing early music of the European classical tradition from the Baroque era and earlier – broadly, music produced before about 1750.
The king's time on the continent, his (hidden) preference for Catholicism and explicit desire for entertainment led to the embracing of the Baroque and continental forms of music. [2] The court became something of a crossroads of European musicians and styles on a much grander scale than previously achieved.
Purcell's orchestral music and keyboard music are, like Muffat's synthesis of the Italian and French style, a synthesis of the English and French style into a much more complex English style where the application of notes inégales to the music of Purcell and his contemporaries is essential to correct performance of the music.
In the years centering on 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music.Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Florentine Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the ...
The style is related to improvisation but is characterised by the use of short contrasting episodes and a free form, just like a classical fantasia. Johann Mattheson , who was a German composer and theorist in the 17th century, presented his idea about the definition that Athanasius Kircher in his book, "Das beschutzte Orchestre" (1717), cited ...