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Laments for Josiah is the term used in reference to 2 Chronicles 35:25.The passage reads: "And Jeremiah lamented for Josiah: and all the singing men and the singing women spake of Josiah in their lamentations to this day, and made them an ordinance in Israel: and, behold, they are written in the lamentations."
Many art critics have praised Jeremiah Lamenting the Destruction of Jerusalem as one of Rembrandt's few early masterpieces. [1] [2] [3] References This page was last ...
Josiah (/ dʒ oʊ ˈ s aɪ. ə /) [1] [2] or Yoshiyahu [a] was the 16th King of Judah (c. 640 –609 BCE). According to the Hebrew Bible, he instituted major religious reforms by removing official worship of gods other than Yahweh.
In Early Netherlandish painting of the 15th century the three crosses often appear in the background of the painting, a short distance from the scene. Gerard David - Lamentation Lamentations did not appear in art north of the Alps until the 14th century, but then became very popular there, and Northern versions further developed the centrality ...
The Song of Songs (German: Das Hohelied Salomos, pronounced [das hoːəˈliːt ˈzaːlomos]) is a expressionist painting cycle created by German painter Egon Tschirch in 1923. Therein Tschirch interprets the texts of the Song of Songs from the Old Testament. The artwork was lost for more than 90 years until it was rediscovered in 2015. [1]
The painting represents the allegorical victory of Christianity over Death (depicted as a skull) and Sin (depicted as a snake). It was formerly thought to have been painted around 1615, but more recent stylistic comparisons with similar Rubens works have indicated that it was more likely to have been painted slightly later, i.e. around 1618.
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
Thomas Tallis set the first lesson, and second lesson, of Tenebrae on Maundy Thursday between 1560, and 1569: "when the practice of making musical settings of the Holy Week readings from the Book of Jeremiah enjoyed a brief and distinguished flowering in England (the practice had developed on the continent during the early 15th century)".