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The woman on the right has her hair held in a long, thick braid encased in sheer fabric and twisted around her head. Her simple gown laces up the front with a single lace, 1423. Woman at a casement wears a fur-lined red gown with a belt at the high waistline and full slashed sleeves over dark patterned undersleeves gathered to the elbow. Her ...
Dress in Holland, Belgium, and Flanders, now part of the Empire, retained a high, belted waistline longest. Italian gowns were fitted to the waist, with full skirts below. The French gown of the first part of the century was loosely fitted to the body and flared from the hips, with a train. The neckline was square and might reveal the kirtle ...
In March 1519 at a masque at Greenwich Palace female dancers in fanciful "Egyptian" costumes wore black velvet gowns "with hoops from the waist downwards", which may have been farthingales. [ 4 ] Farthingales remained a fixture of conservative Spanish court fashion into the early 17th century (as exemplified by Margaret of Austria ), before ...
The bustier can also be worn as a half-slip under sheer upper garments if a bold display of the midriff is not desired. [1] A bustier resembles a basque, but it is shorter. It reaches down only to the ribs or waist. Modern bustiers are often made with mesh panels rather than the traditional boning.
Ball gowns and evening gowns especially had low, square décolletage that was designed to display and emphasize cleavage. [ 43 ] [ 44 ] In many European societies between the Renaissance and the 19th century, wearing low-cut dresses that exposed breasts was more acceptable than it is in the early 21st century; bared female legs, ankles and ...
Woman wearing a one-piece bliaut and cloak or mantle, c. 1200, west door of Angers Cathedral.. The bliaut or bliaud is an overgarment that was worn by both sexes from the eleventh to the thirteenth century in Western Europe, featuring voluminous skirts and horizontal puckering or pleating across a snugly fitted under bust abdomen.
Isabella d'Este (19 May 1474 – 13 February 1539) was the Marchioness of Mantua and one of the leading women of the Italian Renaissance as a major cultural and political figure. She was a patron of the arts as well as a leader of fashion and her innovative style of dressing was emulated by many women.
Both male and female versions changed style and diverged in the middle Byzantine period, the female later reverting to the new male style. Apart from jewels and embroidery, small enamelled plaques were sewn into the clothes; the dress of Manuel I Comnenus was described as being like a meadow covered with flowers.