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J. R. R. Tolkien accompanied his Middle-earth fantasy writings with a wide variety of non-narrative materials, including paintings and drawings, calligraphy, and maps.In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books, and later on the cover of The Silmarillion.
Gollum is a monster [2] with a distinctive style of speech in J. R. R. Tolkien's fantasy world of Middle-earth. He was introduced in the 1937 fantasy novel The Hobbit, and became important in its sequel, The Lord of the Rings. Gollum was a Stoor Hobbit [T 1] [T 2] of the River-folk who lived near the Gladden Fields.
Tolkien's illustrations contributed to the effectiveness of his writings, though much of his oeuvre remained unpublished in his lifetime. However, the first British edition of The Hobbit in 1937 was published with ten of his black-and-white drawings. [1] In addition, it had as its frontispiece Tolkien's drawing The Hill: Hobbiton-across-the-Water.
The Hobbit calls him an elf-friend rather than an elf, one "who had both elves and heroes of the North for ancestors." [T 9] The Elvenking, king of the Mirkwood Elves. He held the dwarves captive. They were eventually freed by Bilbo. [T 10] (In The Hobbit he is only called "the Elvenking"; his name "Thranduil" is given in The Lord of the Rings ...
Tom Bombadil is a character in J. R. R. Tolkien's legendarium.He first appeared in print in a 1934 poem called "The Adventures of Tom Bombadil", which included The Lord of the Rings characters Goldberry (his wife), Old Man Willow (an evil tree in his forest) and the barrow-wight, from whom he rescues the hobbits. [1]
Alan Lee (born 20 August 1947) is an English book illustrator and film conceptual designer.He is best known for his artwork inspired by J. R. R. Tolkien's fantasy novels, and for his work on the concept design of Peter Jackson's film adaptations of Tolkien, The Lord of the Rings and The Hobbit film series.
The original “Lord of the Rings” trilogy, helmed by Jackson, grossed nearly $3 billion worldwide; Jackson’s follow-up trilogy based on Tolkien’s “The Hobbit” matched those grosses.
Foster attributes the surge of Tolkien fandom in the United States of the mid-1960s to a combination of the hippie subculture and anti-war movement pursuing "mellow freedom like that of the Shire" and "America's cultural Anglophilia" of the time, fuelled by a bootleg paperback version of The Lord of the Rings published by Ace Books followed up by an authorised edition by Ballantine Books. [8]