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Persephone and Dionysos. Roman copy after a Greek original of the 4th–3rd century B.C. Marble. Hermitage.. In ancient Greek mythology and religion, Persephone (/ p ər ˈ s ɛ f ə n iː / pər-SEF-ə-nee; Greek: Περσεφόνη, romanized: Persephónē, classical pronunciation: [per.se.pʰó.nɛː]), also called Kore (/ ˈ k ɔːr iː / KOR-ee; Greek: Κόρη, romanized: Kórē, lit.
The Rape of Proserpina (Italian: Ratto di Proserpina), more accurately translated as The Abduction of Proserpina, [1] is a large Baroque marble group sculpture by Italian artist Gian Lorenzo Bernini, executed between 1621 and 1622, when Bernini's career was in its early stage.
Proserpina (/ p r oʊ ˈ s ɜːr p ɪ n ə / proh-SUR-pih-nə; [1] Latin: [proːˈsɛrpɪna]) or Proserpine (/ ˈ p r ɒ s ər p aɪ n / PROSS-ər-pyne [1]) is an ancient Roman goddess whose iconography, functions and myths are virtually identical to those of Greek Persephone.
The ancient myth of the Rape of Persephone is depicted in high relief on the sarcophagus. Persephone is carried away to the underworld by Pluto, the god of the underworld, with the help of Athena and Eros, on a quadriga led by the divine messenger Hermes. The hellhound Cerberus is found at Hermes' feet near the death god Tartarus.
The statue of Saint Demetra, ... Roman equivalent to Persephone. ... and in Ovid's version, [106] Persephone willingly and secretly eats the pomegranate seeds, ...
In a Roman well situated in the sacred area, three heads of statues have been found, identified as a large head belonging to the cult statue of the goddess Demeter, and two smaller heads belonging to portrait sculptures of that of her two priestesses. The heads appear to have been decapitated from the statues, vandalised and thrown down the well.
The relief is made of Pentelic marble, and it is 2,20 m. tall, 1,52 m. wide, and 15 cm thick. [4] It depicts the three most important figures of the Eleusianian Mysteries; the goddess of agriculture and abundance Demeter, her daughter Persephone queen of the Underworld and the Eleusinian hero Triptolemus, the son of Queen Metanira, [3] [4] in what appears to be a rite. [1]
This revolution in style shortly preceded the period in which Christianity was adopted by the Roman state and the great majority of the people, leading to the end of large religious sculpture, with large statues now only used for emperors, as in the famous fragments of a colossal acrolithic statue of Constantine, and the 4th or 5th century ...