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Art criticism includes a descriptive aspect, [3] where the work of art is sufficiently translated into words so as to allow a case to be made. [2] [3] [7] [11] The evaluation of a work of art that follows the description (or is interspersed with it) depends as much on the artist's output as on the experience of the critic.
Arts criticism is the process of describing, analyzing, interpreting, and judging works of art. [1] The disciplines of arts criticism can be defined by the object being considered rather than the methodology (through analysis of its philosophy): buildings (architecture criticism), paintings (visual art criticism), performances (dance criticism, theatre criticism), music (music journalism ...
Typically the art critic views art at exhibitions, galleries, museums or artists' studios and they can be members of the International Association of Art Critics which has national sections. [3] Very rarely art critics earn their living from writing criticism. The opinions of art critics have the potential to stir debate on art-related topics.
By definition, the arts themselves are open to being continually redefined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.
Japanese art terminology (4 C, 33 P) S. Sculpture terms (1 C, 9 P) Pages in category "Visual arts terminology" The following 27 pages are in this category, out of 27 ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Aesthetic criticism is a part of aesthetics concerned with critically judging beauty and ugliness, tastefulness and tastelessness, style and fashion, meaning and quality of design—and issues of human sentiment and affect (the evoking of pleasure and pain, likes and dislikes).
That is why historical definitions of art must also include a disjunct for first art: Something is art if it possesses a historical relation to previous artworks, or is first art. The philosopher primarily associated with the historical definition of art is Jerrold Levinson (1979). For Levinson, "a work of art is a thing intended for regard-as ...