Search results
Results From The WOW.Com Content Network
Her debut album, Black Acid Soul, a further collaboration with Seefried, was released on 3 September 2021, with physical editions released on 28 January 2022. [8] The album bears a strong jazz influence and emphasis on pared-back vocals, with a number of covers and reinterpretations of songs from the 1960s and 70s.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Acid jazz (also known as club jazz, psychedelic jazz, or groove jazz) is a music genre that combines elements of funk, soul, and hip hop, as well as jazz and disco. [1] [2] Acid jazz originated in clubs in London during the 1980s with the rare groove movement and spread to the United States, Western Europe, Latin America and Japan.
Lady Bird" is a sixteen-bar jazz standard by Tadd Dameron. This "celebrated" composition, "one of the most performed in modern jazz", was written around 1939, [ 1 ] and released in 1948. [ 2 ] Featuring, "a suave, mellow theme ," [ 3 ] it is the origin of the Tadd Dameron turnaround (in C: CM 7 E ♭ 7 A ♭ M 7 D ♭ 7 CM 7 ). [ 4 ]
Play ⓘ. Conventional progression or cadence without tritone substitution, i.e., NOT Tadd Dameron turnaround. Play ⓘ. In jazz, the Tadd Dameron turnaround, named for Tadd Dameron, "is a very common turnaround in the jazz idiom", [1] derived from a typical I−vi−ii−V turnaround through the application of tritone substitution of all but the first chord, thus yielding, in C major:
Augustus Owsley Stanley III (January 19, 1935 – March 12, 2011) was an American-Australian audio engineer and clandestine chemist.He was a key figure in the San Francisco Bay Area hippie movement during the 1960s and played a pivotal role in the decade's counterculture.
The album and its title track, a feedback-drenched number taking a third of the album's length, introduces the subversion of Christian themes explored on later songs, describing a mystical approach to salvation in which "the Kingdom of Heaven is within" and achievable through freeing one's mind, after which one's "ass" will follow.