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Factual texts merely seek to inform, whereas literary texts seek to entertain or otherwise engage the reader by using creative language and imagery. There are many aspects to literary writing, and many ways to analyse it, but four basic categories are descriptive , narrative , expository , and argumentative .
The root of the words subjectivity and objectivity are subject and object, philosophical terms that mean, respectively, an observer and a thing being observed.The word subjectivity comes from subject in a philosophical sense, meaning an individual who possesses unique conscious experiences, such as perspectives, feelings, beliefs, and desires, [1] [3] or who (consciously) acts upon or wields ...
Factual relativism (also called epistemic relativism, epistemological relativism, alethic relativism, and cognitive relativism) argues that truth is relative. According to factual relativism, facts used to justify claims are understood to be relative and subjective to the perspective of those proving or falsifying the proposition.
This barrier between fact and value, as construed in epistemology, implies it is impossible to derive ethical claims from factual arguments, or to defend the former using the latter. [ 2 ] The fact–value distinction is closely related to, and derived from, the is–ought problem in moral philosophy, characterized by David Hume . [ 3 ]
(Analogously, one might hold that it is a fact that it is winter in the Northern Hemisphere, even though this is not always the case, implying that some facts are temporary.) Giovanni Merlo has developed a specific version of metaphysical subjectivism, under which subjective facts always concern mental properties. [7]
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. [1] Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history , moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning . [ 1 ]
The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.
Much traditional discussion of aesthetic philosophy seeks to establish criteria of artistic quality that are indifferent to the subject matter being depicted. Since all literary works, almost by definition, contain notional content, aesthetic theories that rely on purely formal qualities tend to overlook literature.