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In tonality, the tonic (tonal center) is the tone of complete relaxation and stability, the target toward which other tones lead. [5] The cadence (a rest point) in which the dominant chord or dominant seventh chord resolves to the tonic chord plays an important role in establishing the tonality of a piece.
In music, the tonic is the first scale degree of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone [1] that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as do.
The concept of harmonic function originates in theories about just intonation.It was realized that three perfect major triads, distant from each other by a perfect fifth, produced the seven degrees of the major scale in one of the possible forms of just intonation: for instance, the triads F–A–C, C–E–G and G–B–D (subdominant, tonic, and dominant respectively) produce the seven ...
Languages other than English may use other key naming systems. People sometimes confuse key with scale. A scale is an ordered set of notes typically used in a key, while the key is the "center of gravity" established by particular chord progressions. [3] Cadences are particularly important in the establishment of key.
Since modulation is defined as a change of tonic (tonality or tonal center), the change between minor and its parallel major or the reverse is technically not a modulation but a change in mode. Major tonic harmony that concludes music in minor contains what is known as a Picardy third.
In this view the tonic or tonal center is considered the end point of a chord progression derived from the circle of fifths. ii–V–I progression, in C, illustrating the similarity between them Subdominant, supertonic seventh, and supertonic chords
by the English name for their function: tonic, supertonic, mediant, subdominant, dominant, submediant, subtonic or leading note (leading tone in the United States), and tonic again. These names are derived from a scheme where the tonic note is the 'centre'.
Atonality in its broadest sense is music that lacks a tonal center, or key. [1] Atonality, in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. [2]