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Anton Arensky's Variations on a Theme by Tchaikovsky (1894) is among his most popular compositions. Variation sets have also been composed by notable twentieth-century composers, including Sergei Rachmaninoff (Rhapsody on a Theme of Paganini for piano and orchestra, and his variations for solo piano on themes by Chopin and Corelli),
In musical composition, developing variation is a formal technique in which the variations are produced through the development of existing material. The term was coined by Arnold Schoenberg, twentieth-century composer and inventor of the twelve-tone technique, who believed it was one of the most important compositional principles since around 1750: [1]
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Thematic transformation (also known as thematic metamorphosis or thematic development) is a musical technique in which a leitmotif, or theme, is developed by changing the theme by using permutation (transposition or modulation, inversion, and retrograde), augmentation, diminution, and fragmentation.
Suite – Set of instrumental compositions, typically in dance form, played in a sequence. Theme and variations – Form where a main theme is followed by a series of variations that alter its melody, harmony, rhythm, or timbre. Double variation – Composition where two themes are alternated and varied.
Theme and variations form starts with a theme, followed by multiple variations. This theme is usually eight to thirty-two bars in length, and may be constructed as a musical sentence, period, or small ternary. Each variation is a recurrence of the theme with melodic, harmonic, rhythmic and ornamental changes. Theme and variations sometimes ...
A quiet variation looking at the contrast between staccato and legato. VI: A turbulent variation marked fortissimo as well as "sempre staccato e sforzato." The sforzatos are indicated in the music. VII and VIII: Are markedly quieter variations than Var. VI but musically are more difficult. IX: A variation with many slurs. X and XI
The Symphonic Variations (Variations symphoniques), M. 46, is a work for piano and orchestra written in 1885 by César Franck. It has been described as "one of Franck's tightest and most finished works", [ 2 ] "a superb blending of piano and orchestra", [ 3 ] and "a flawless work and as near perfection as a human composer can hope to get in a ...