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Silas Leachman, ca. 1895, from Chicago Talking Machine Company ad. Silas Field Leachman (20 August 1859 – 28 April 1936) was an American pioneer recording artist, possibly the first person to make recordings in Chicago and known for making hundreds of thousands of phonograph cylinder recordings in the 1890s.
Phonograph cylinders (also referred to as Edison cylinders after its creator Thomas Edison) are the earliest commercial medium for recording and reproducing sound.Commonly known simply as "records" in their heyday (c. 1896–1916), a name which has been passed on to their disc-shaped successor, these hollow cylindrical objects have an audio recording engraved on the outside surface which can ...
Ring-and-spring microphones, such as this Western Electric microphone, were common during the electrical age of sound recording c. 1925–45.. The second wave of sound recording history was ushered in by the introduction of Western Electric's integrated system of electrical microphones, electronic signal amplifiers and electromechanical recorders, which was adopted by major US record labels in ...
In 2003, the Institute for Museum and Library Services funded the Archive with a grant for $205,000 and between 2003 and 2005 UCSB library staff cataloged and digitized over 6,000 of the cylinder recordings in the library's collection using an archéophone, a modern electrical cylinder player designed in France by Henri Chamoux. The website was ...
Catalogue of commercially available records released in Jan 1895. Some of the 1892 recordings can be seen (namely BeA 205, 256 and 300) Documenting the output of American Berliner has proved a daunting task, as original records are scarce collector's items and the company employed a system of block numbering that seems to make little sense.
Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 (a relatively well-preserved and freely available example from that year is the Fifth Regiment March, played by Issler's Orchestra [2]). At first, the only customers were entrepreneurs who ...
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His use of the building's bathroom as an echo chamber for the recording of "Peg o' My Heart" was the first artistic use of artificial reverb in a popular song. [2] The song sold 1.4 million copies and gave Universal Recording Corp. a big boost in income and new business. [4] [5] Universal Recording soon became the hotspot for the Chicago music ...