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Othello—analysis, explanatory notes, and lectures. Othello—Scene-indexed and searchable version of the text. Othello public domain audiobook at LibriVox Cultural references to Othello at the Internet Broadway Database – lists numerous productions. Othello study guide, themes, quotes, multimedia, and teacher resources
The theory is that the bad quarto is a memorial reconstruction of Hamlet, made by some of its actors: so where there are unintentional echoes of Othello in the bad quarto (for example "to my vnfolding / Lend thy listning eare" [40] in the bad quarto and "To my unfolding lend your prosperous ear" [41] in Othello—and a number of others) it ...
The phrase "Othello error" was first used in the book Telling Lies by Paul Ekman in 1985. [4] The name was coined from Shakespeare's play Othello , which provides an "excellent and famous example" [ 1 ] of what can happen when fear and distress upon confrontation do not signal deception.
Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio .
Shakespeare was familiar with this book; it contains the original source for his Othello. Cinthio also published the story with some small differences as a play, of which Shakespeare may have been aware. The original story is an unmitigated tragedy: Isabella's counterpart is forced to sleep with Angelo's counterpart, and her brother is killed.
Shmoop also offers resources for understanding Shakespeare called "Shmooping Shakespeare," which includes an "in-depth summary and analysis of every single one of his plays and many of his poems; an extensive biography; an entire section devoted to his most famous quotes and another devoted to the words he coined," as well as features like a ...
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
There is debate among critics as to Emilia's character nature in Othello, with some deeming her a villain and some as the true hero of the play.This is because her allegiances initially seem to lie with her husband, and she displays the typical “wifely virtues of silence, obedience, and prudence" [2] of the Elizabethan period (as seen in her theft of the handkerchief in 3.1).