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A sample of News Gothic. A sample of Bank Gothic. A sample of Franklin Gothic.. All of Benton's typefaces were cut by American Type Founders.. Roycroft (c. 1898), inspired by lettering in the Saturday Evening Post and often credited to Lewis Buddy, though (according to ATF) designed “partly” by Benton.
The font has also been used on the cornerstone of the One World Trade Center in New York. It is also the current font used in MPA title cards for film trailers in the U.S. Developed for professional use, Gotham is an extremely large family, featuring four widths, eight weights, and separate designs for screen display and a rounded version.
Lydian is a calligraphic humanist sans-serif [1] typeface designed by Warren Chappell for American Type Founders in 1938. It is available in bold, italic, and condensed, [2] as well as in a Cursive variant. [3] The original foundry font was commissioned and cast by American Type Founders and included a stylistic alternate, a capital ‹A ...
American Type Founders was the largest producer of foundry type in the world, not only of in-house designs, but also from designs that came from merged firms. Many of its designs were created or adapted by Morris Fuller Benton, his father Linn, Joseph W. Phinney or Frederic Goudy.
Benton Sans is a digital typeface family begun by Tobias Frere-Jones in 1995, and expanded by Cyrus Highsmith of Font Bureau.It is based on the sans-serif typefaces designed for American Type Founders by Morris Fuller Benton around the beginning of the twentieth century in the industrial or grotesque style.
Klavika is a family of sans-serif fonts designed by Eric Olson and released by Process Type Foundry in 2004. It contains four weights: light, regular, medium, and bold (with corresponding italics) and variations of numerals. [1] The family of typefaces is described as straight-sided technical sans-serifs [2] flexible for editorial and identity ...
[28] [29] [30] Freeman Craw drew the Craw Clarendon family, a once popular American version released by American Type Founders in 1955, with light, bold and condensed variants. [31] [32] The italic of Egizio, intended to complement the pre-existing Clarendon design concept. Aldo Novarese drew the Egizio family for Nebiolo, in Turin, Italy.
Cheltenham is a typeface for display use designed in 1896 by architect Bertram Goodhue and Ingalls Kimball, director of the Cheltenham Press.The original drawings were known as Boston Old Style and were made about 14" high.