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This is a list of kigo, which are words or phrases that are associated with a particular season in Japanese poetry.They provide an economy of expression that is especially valuable in the very short haiku, as well as the longer linked-verse forms renku and renga, to indicate the season referenced in the poem or stanza.
Japanese commonly use proverbs, often citing just the first part of common phrases for brevity. For example, one might say i no naka no kawazu (井の中の蛙, 'a frog in a well') to refer to the proverb i no naka no kawazu, taikai o shirazu (井の中の蛙、大海を知らず, 'a frog in a well cannot conceive of the ocean').
A saijiki (歳時記, lit. "year-time chronicle") is a list of Japanese kigo (seasonal terms) used in haiku and related forms of poetry. An entry in a saijiki usually includes a description of the kigo itself, as well as a list of similar or related words, and some examples of haiku that include that kigo. [1]
Tsukimi refers to the Japanese tradition of holding parties to view the harvest moon.The custom is thought to have originated with Japanese aristocrats during the Heian period; influenced by the Chinese custom of Mid-Autumn Festival, [3] they would gather to recite poetry under the full moon of the eighth month of the solar calendar, known as the "Mid-Autumn Moon" (中秋の名月, chūshū no ...
A kigo (季語, 'season word') is a word or phrase associated with a particular season, used in traditional forms of Japanese poetry. Kigo are used in the collaborative linked-verse forms renga and renku, as well as in haiku, to indicate the season referred to in the stanza. They are valuable in providing economy of expression.
Download as PDF; Printable version; In other projects Wikimedia Commons; Wikiversity; ... Japanese words and phrases (17 C, 386 P) Pages in category "Japanese vocabulary"
Pages in category "Japanese words and phrases" The following 200 pages are in this category, out of approximately 387 total. This list may not reflect recent changes .
Kireji (切れ字, lit. "cutting word") are a special category of words used in certain types of Japanese traditional poetry. It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga).