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Amakan, also known as sawali in the northern Philippines, is a type of traditional woven split-bamboo mats used as walls, paneling, or wall cladding in the Philippines. [1] They are woven into various intricate traditional patterns, often resulting in repeating diagonal, zigzag, or diamond-like shapes.
The stained glass marquee was executed by the Kraut Art Glass Company, with the "Metropolitan" label backlit and surrounded by Filipino floral motifs. [10] The stained glass marquee is highlighted on both sides by curving walls of colorful, decorated tiles resembling batik patterns of Southeast Asia. There are also moldings of zigzag and wavy ...
The interior was restored in 2002-2003 and was also infused with new lighting, sound and video equipment. It was the only post-war venue with air-conditioning and a revolving stage. It used to be the Cultural Center of the Philippines in the 1950s given that all the foremost Filipino and foreign performers of the time performed there.
So, pop art led to interiors having abstract and geometric patterns. It also had vibrant colors – for instance, orange, electric blue, and lime green paired with contrasting neutrals like white ...
Interior design has been influenced by indigenous Filipino culture, Hispanic, American and Japanese styles, modern design, the avant-garde, tropical design, neo-vernacular, international style, and sustainable design. Interior spaces, expressive of culture, values and aspirations, have been extensively researched by Filipino scholars. [291]
After the Philippines was ceded to the United States as a consequence of the Spanish–American War in 1898, the architecture of the Philippines was influenced by American aesthetics. In this period, the plan for the modern City of Manila was designed, with many neoclassical architecture and art deco buildings by famous American and Filipino ...
A large bahay kubo with walls made of thatch, c. 1900. The Filipino term báhay kúbo roughly means "country house", from Tagalog.The term báhay ("house") is derived from Proto-Malayo-Polynesian *balay referring to "public building" or "community house"; [4] while the term kúbo ("hut" or "[one-room] country hut") is from Proto-Malayo-Polynesian *kubu, "field hut [in rice fields]".
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