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Atonality in its broadest sense is music that lacks a tonal center, or key. [1] Atonality, in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. [2]
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George Perle (6 May 1915 – 23 January 2009) was an American composer and music theorist.As a composer, his music was largely atonal, using methods similar to the twelve-tone technique of the Second Viennese School.
Other composers with atonal pieces include Harrison Birtwistle & Peter Maxwell Davies, [54] Jacob Druckman, Barbara Kolb, [55] Henry Cowell, Claude Debussy, Brian Ferneyhough, [56] Alexander Goehr, [57] Lou Harrison, Mårten Hagström, Paul Hindemith, Karel Husa, Charles Ives, György Ligeti, Witold Lutosławski, George Perle, [58] Sergei Prokofiev, David Raksin, [59] Nikolai Roslavets, [60 ...
Tonality is the arrangement of pitches and / or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions, and directionality.. In this hierarchy, the single pitch or the root of a triad with the greatest stability in a melody or in its harmony is called the tonic.
For him such a row would be part of the historical process from a "unitonic" (tonality) moved to a "pluritonic" (polytonality) and ended in an "omnitonic" , where every note became a tonic. In his marginalia to Ramann's biography of him, made after he had turned 70, Liszt called the "omnitonic" an Endziel or final goal of the historical process.
Post-tonal music theory is the set of theories put forward to describe music written outside of, or 'after', the tonal system of the common practice period.It revolves around the idea of 'emancipating dissonance', that is, freeing the structure of music from the familiar harmonic patterns that are derived from natural overtones.
A rank-2 temperament defines a rank-2 (two-dimensional) note space, as shown in video 1 (note space). Video 1: generating a rank-2 note space The syntonic temperament is a rank-2 temperament defined by its period (just perfect octave, 1 / 2 ), its generator (just perfect fifth, 3 / 2 ) and its comma sequence (which starts with ...