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Shiva, Chola bronze, 12th-century Chinese wooden Guanyin in "royal ease" pose, Song dynasty Lalitasana is a pose or mudra in Indian art and the art of dharmic religions in other countries. It is often called "the royal position" or " royal ease " in English, and is a relaxed pose typical in royal portraits and those of religious figures whose ...
A sari (sometimes also saree [1] or sadi) [note 1] is a drape (cloth) [2] and a women's garment in the Indian subcontinent. [3] It consists of an un-stitched stretch of woven fabric arranged over the body as a dress, with one end attached to the waist, while the other end rests over one shoulder as a stole, [4] [5] sometimes baring a part of the midriff.
Kasavu is a technique used in handlooms of Kerala, with very fine threads of gold or silver used in weave to make border lines and designs on silk and cotton fabrics. This technique later spread to most of India and the Kasav technique was developed for many other fabrics across India.
The trend of exposing the navel was started by women who were dancers, acrobats, or entertainers, and who developed a technique of wearing the sari like a pair of trousers well below the navel to assist in the free movement of the legs. [117] Women in this type of attire are very common in many ancient Indian sculptures, [118] and paintings. [119]
Saris are distinguished by their wide contrast borders. Temple borders, checks, stripes and floral (buttas) are traditional designs found on a Kanchipuram saris. [8] The patterns and designs in the kanchipuram saris were inspired with images and scriptures in South Indian temples or natural features like leaves, birds and animals. [10]
The Kandyan Kingdom lasted till 1815 resulting in the original sets of jewellery and designs still being preserved and worn by Kandyan families today. Kandyan jewellery is handmade and was designed specifically for the royal families. It carries symbols of wealth, prosperity, grandeur, strength, well-being, solidarity, virtue, passion and valour.
For example, Brahmin women wear it in a particular way (called brahmni on the other side), while Aagri people from the Raigad district wear it in a knee-length fashion called 'adwa patal', whereas with a small variation the kunbi or the farmer women of the Raigad district and some parts of Ratnagiri as well wear nineyard ( called "uprati") .The ...
A single asana is listed for each main pose, whether or not there are variations. Thus for Sirsasana (Yoga headstand), only one pose is illustrated, although the pose can be varied by moving the legs apart sideways or front-and-back, by lowering one leg to the floor, by folding the legs into lotus posture, by turning the hips to one side, by placing the hands differently on the ground, and so on.