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These partials are customarily given names such as hum, prime, minor third (or tierce), fifth (or quint), octave (or nominal), upper octave, etc. The strike note of the bell, which is determined by three partials (the octave, upper fifth, and the upper octave), is generally close to the pitch of the prime in a well-tuned bell."
The overtones on an English handbell are a 12th (an octave and a perfect fifth) above the fundamental, while Dutch handbells – such as Petit & Fritsen – focus on the overtone a minor 10th (an octave and a minor third) or a major 10th (an octave and a major third) above the fundamental.
The harmonics produced by Erfurt bell (1497) [8] or any well-tuned bell: [9] strike note on E with hum note, minor third, fifth, octave or nominal, and major third and perfect fifth in the second octave. The tuning of a bell is completely dependent on its shape.
Handchimes were originally intended to be used as a training tool for prospective handbell ringers. They are cheaper, easier, lighter and more resilient than handbells, making them more accessible for school groups, church youth choirs and senior citizens' groups. [4] Handchimes are also frequently rung in conjunction with handbells.
The intervals of 5-limit just intonation (prime limit, not odd limit) are ratios involving only the powers of 2, 3, and 5.The fundamental intervals are the superparticular ratios 2/1 (the octave), 3/2 (the perfect fifth) and 5/4 (the major third).
The group is a double handbell choir, performing with 27 to 35 ringers on two sets of Malmark handbells (one seven-octave set and one 6½ octave set) and two sets of Malmark handchimes (six octaves each). The octave two bells are Malmark aluminums. Each part is usually doubled (played by two ringers on separate sets), except octave two.