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Anti-war films about the Iraq War (5 P) D. ... Pages in category "Iraq War films" The following 65 pages are in this category, out of 65 total.
Uncovered: The War on Iraq (2004) Voices of Iraq (2004) War Feels Like War (2004) War with Iraq: Stories from the Front (2004) We Iraqis (2004) Alpha Company: Iraq Diary (2005) American Soldiers (2005) Confronting Iraq: Conflict and Hope (2005) [2] The Dreams of Sparrows (2005) Gunner Palace (2005) In the Shadow of the Palms (2005) Iraqi War ...
Anti-war films typically argue that war is futile, unjust, a loss for all involved, only serves to benefit few in society (usually an elite or ruling class, or the state), makes people do or support things they normally would not (such as homicide or discrimination), is extremely costly both in money and lives, or is otherwise undesirable for those fighting it, the target audience, or everyone ...
Pages in category "Anti-war films about the Iraq War" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. A.
Stop-Loss is a 2008 American war drama film directed by Kimberly Peirce and starring Ryan Phillippe, Channing Tatum, Abbie Cornish and Joseph Gordon-Levitt as young soldiers whose experience in the Iraq War leaves them psychologically shattered. It was distributed by Paramount Pictures and produced by MTV Films.
No End in Sight focuses primarily on period immediately following the American invasion of Iraq in March 2003.It asserts that serious mistakes made by the administration of President George W. Bush during that time were the cause of subsequent problems in Iraq, such as the rise of the insurgency, a lack of security and basic services for many Iraqis, sectarian violence, and, at one point, the ...
Redacted is a 2007 American war film written and directed by Brian De Palma.It is a fictional dramatization, loosely based on the 2006 Mahmudiyah killings in Mahmoudiyah, Iraq, when U.S. Army soldiers raped an Iraqi girl and murdered her along with her family.
Uncovered was described as "sober and meticulous" by The New York Times, [1] and "convincing and well-organized" by The Washington Post. [7]It has been compared to Michael Moore’s Fahrenheit 9/11, [6] [4] which debuted in May 2004 and presents some of the same theses about the war up to that point, but is presented in a more emotionally driven style.