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A good luck charm is an amulet or other item that is believed to bring good luck. Almost any object can be used as a charm. Coins, horseshoes and buttons are examples, as are small objects given as gifts, due to the favorable associations they make. Many souvenir shops have a range of tiny items that may be used as good luck charms.
St. Patrick's Day is just around the corner, so we've got 31 quotes about luck--making your own, being ready when it arrives, even bemoaning its absence--from quotable people ranging from Marc ...
A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g.,
Despite a large body of positive psychological research into the relationship between happiness and productivity, [1] [2] [3] happiness at work has traditionally been seen as a potential by-product of positive outcomes at work, rather than a pathway to business success. Happiness in the workplace is usually dependent on the work environment.
Prior to the use of the term "clean language" David taught and practiced his methods in the context of healing complex trauma. [2] In the following years his workshop materials included such titles as "Metaphors to Heal by", "Resolving Traumatic Memories", "Healing the Wounded Child Within" and "In the Presence of the Past".
American singer/songwriter Carolyne Mas has a song titled "King of the U-Turn" that uses an albatross as a metaphor. The rock band Chevelle uses albatross as a metaphor in the song "Face to the Floor". Demon Hunter uses albatross as a metaphor in the song "Cross to Bear". The band Erra uses albatross as a metaphor in the song "Dreamwalkers".
Metaphors We Live By is a book by George Lakoff and Mark Johnson published in 1980. [ 1 ] [ 2 ] The book suggests metaphor is a tool that enables people to use what they know about their direct physical and social experiences to understand more abstract things like work, time, mental activity and feelings.
The practice of symbolic modeling is built upon a foundation of two complementary theories: the metaphors by which we live, [2] and the models by which we create. It regards the individual as a self-organizing system that encodes much of the meaning of feelings, thoughts, beliefs, experiences etc. in the embodied mind as metaphors. [3]